Rab Ne Bana Di Jodi movie wallpapers :
Making of Dance Pe Chance Song from Rab Ne Bana Di Jodi and Celebrity Interview :
The soundtrack from the forthcoming film Rab Ne Bana Di Jodi which has also become very popular after “Haule haule” song is “Dance Pe Chance”, in which the glamorous and another look of SRK is present. As you know, we have already posted the promo of the song and now we are supplying the making video of the track. The video contains the exclusive interviews of Shahrukh Khan (the main actor in the film), Salim-Sulaiman (the music directors), Jaideep Sahni (the lyricist), Shiamak Davar (the choreographer) Ravi K. Chandran (the director of photography) and obviously the complete making of the song. They told their experiences, problems and excitement they have gathered at the time of shooting the song, specially the cinematography, lyrics and inner meaning of the song which are present in the video - all together it’s a really exciting, sweet and attractive video. Stat watching and downloading the song.
The track is sung by Sunidhi Chauhan and Labh Janjua, today Sunidhi is one of Bollywood’s busiest singers and she has delivered many hits in recent years. Though she is a young female singer but her voice quality is very much matured. Salim Merchant of the Salim-Sulaiman duo has given the music for the song.
The Salim-Sulaiman brother duo are among the busiest music-makers in Bollywood today. And why not? Apart from designing the background score for films like Dhoom, Bhoot and Krrish, the brothers are serving up a clever cocktail of easy hummable songs and tunes that go beyond the routine spread of pop and remixes. The two are current favourites of Yash Raj Films and Madhur Bhandarkar, especially after songs like Mar jawaan from Fashion, Chhoo le na from Roadside Romeo or the title song from Chak De! India became popular. Salim Merchant talks about braving criticism, scoring backgrounds or lining up favourite composers…
Aaja Nachle, Chak De!, Roadside Romeo and now Rab Ne Bana Di Jodi... So you’re YRF’s current favourite. How does that feel? Does it also mean added pressure?
I don’t want to look at ourselves as a favourite. We’ve done four films with them but so have Vishal and Shekhar, Shankar Ehsaan and Loy and Pritam. It’s just that we gel very well because we’ve been doing background scores for YRF for a long time now, even if the songs may have been Pritam’s or Vishal and Shekhar’s.
And there’s no pressure at all. In fact we feel very positive working with them. They have a fantastic professional attitude and are my favourite film-makers. Although I must admit that there was a little pressure initially, but after the songs worked out Rab Ne was a walk in the clouds.
Tell us a little about Rab Ne Bana Di Jodi’s soundtrack...
It’s a very simple film but the emotion is quite different from usual stories. So, instead of trying to do something out of the box we stuck to keeping things simple. Aditya wanted the music to be stacked around Shah Rukh’s character. The background has Amritsar, the golden temple and a lot of spirituality. The music had to have soul. For Chance Pe Dance Aditya wanted that Boogie Woogie nursery rhyme-feel to portray the emotion of a girl teaching a boy to dance. We had a lot of fun working on the song Chalte Chalte which is basically capturing the golden years of cinema through generations of Hindi films. So the changing times would include Raj Kapoor, Shammi Kapoor, Dev Anand and others.
But critics have been quite harsh on Rab Ne’s music. Are you satisfied with the score?
I’m a very very open person when it comes to criticism and frankly I don’t care about what the critics have to say because they assess the music without having seen the film. I don’t go by how many stars a review can fetch me. When Chak De’s music released it got just one star and the music wasn’t appreciated at all. All that Shimit wanted was to create a sports anthem, that’s what we did and I think we achieved after the song’s nationwide appeal. We always do music that is true to the film and what the screenplay requires. Rab Ne doesn’t sound stylish or cool but that’s how the film is. Shah Rukh’s character is not cool at all. The characters are very simple and the music had to be a reflection of that — couldn’t have electronica suddenly sweeping through the film. Rab Ne is not my personal album so I can’t do what a Rabbi or Lucky Ali does. Yes, our music has its own character but we travel different styles because the movie could be a drama, about a small town or a love story. Versatility is very important when it comes to music directors. We never consider a director’s point of view as restriction.
How was it different composing for an animation film like Roadside Romeo?
The only thing different was I had to think dogs instead of humans. Had to make sure how certain words and phrases sound when dogs sing them! The music could be danced to, was urban and with a lot of children’s voices. We knew it was going to be an urban film and not for the small town. It’s unfortunate that Roadside Romeo did not do too well and music these days does well if the film does well.
What other films are you working on and what are the new sounds in vogue?
Fashion was a pretty good urban experience. We are currently working on Teen Patti, which will have a medley of contemporary sounds with a full-on rock song, a hard-core electronica dance number and an old-fashioned cabaret. We’re also working on Karan Johar’s new film directed by Rensil D’Silva starring Saif Ali Khan that will release by the middle of next year. This one will have a sufi kind of sound. Sufi is very inspiring, spiritual and lends high energy to a song. Then there are three four releases coming up including Aashayein, and lots more in the pipeline.
So is background scoring taking a backseat now?
No…not at all! We did the background for Dostana, our last release. It does come in the way when we’re busy designing the entire music for a film but we never want to give it up. Background scoring is our real strength, our forte and very magical for us. People really respect us for that because apart from the story background music too can make or break a film. People in the industry are gradually coming to understand that but still don’t get it completely.
How would you rank the present crop of music makers?
That’s a tough one but I would like to think of A.R. Rahman first. He’s been at it for a long time and is very successful too. There’s a certain peace and thump in his songs. Then there’s Shankar Ehsaan & Loy who have been very consistent with melody. The strength of a composer is not just making people dance but also making them cry. It could just be a simple love song with a good vibe. There has to be a feel-good factor. Not sure if Vishal-Shekhar have done that. Both Vishal-Shekhar and Pritam are very good with dance songs and club numbers but a music-maker should make both chart-topping hits and soulful numbers that aren’t like fast food you eat, enjoy and forget. We’re working hard at it and probably getting closer.
What else is in the offing?
We have a bigger picture in mind. It’s still under wraps but we’re working on starting a music school. Students will learn western classical instruments like strings and bass and voice training. We’re trying to organise a tie-up with an international school of music. Hopefully it’ll take off by 2009 and be functional by 2010.
Do you like the songs and music of Rab Ne Bana Di Jodi? Tell us.
The track is sung by Sunidhi Chauhan and Labh Janjua, today Sunidhi is one of Bollywood’s busiest singers and she has delivered many hits in recent years. Though she is a young female singer but her voice quality is very much matured. Salim Merchant of the Salim-Sulaiman duo has given the music for the song.
The Salim-Sulaiman brother duo are among the busiest music-makers in Bollywood today. And why not? Apart from designing the background score for films like Dhoom, Bhoot and Krrish, the brothers are serving up a clever cocktail of easy hummable songs and tunes that go beyond the routine spread of pop and remixes. The two are current favourites of Yash Raj Films and Madhur Bhandarkar, especially after songs like Mar jawaan from Fashion, Chhoo le na from Roadside Romeo or the title song from Chak De! India became popular. Salim Merchant talks about braving criticism, scoring backgrounds or lining up favourite composers…
Aaja Nachle, Chak De!, Roadside Romeo and now Rab Ne Bana Di Jodi... So you’re YRF’s current favourite. How does that feel? Does it also mean added pressure?
I don’t want to look at ourselves as a favourite. We’ve done four films with them but so have Vishal and Shekhar, Shankar Ehsaan and Loy and Pritam. It’s just that we gel very well because we’ve been doing background scores for YRF for a long time now, even if the songs may have been Pritam’s or Vishal and Shekhar’s.
And there’s no pressure at all. In fact we feel very positive working with them. They have a fantastic professional attitude and are my favourite film-makers. Although I must admit that there was a little pressure initially, but after the songs worked out Rab Ne was a walk in the clouds.
Tell us a little about Rab Ne Bana Di Jodi’s soundtrack...
It’s a very simple film but the emotion is quite different from usual stories. So, instead of trying to do something out of the box we stuck to keeping things simple. Aditya wanted the music to be stacked around Shah Rukh’s character. The background has Amritsar, the golden temple and a lot of spirituality. The music had to have soul. For Chance Pe Dance Aditya wanted that Boogie Woogie nursery rhyme-feel to portray the emotion of a girl teaching a boy to dance. We had a lot of fun working on the song Chalte Chalte which is basically capturing the golden years of cinema through generations of Hindi films. So the changing times would include Raj Kapoor, Shammi Kapoor, Dev Anand and others.
But critics have been quite harsh on Rab Ne’s music. Are you satisfied with the score?
I’m a very very open person when it comes to criticism and frankly I don’t care about what the critics have to say because they assess the music without having seen the film. I don’t go by how many stars a review can fetch me. When Chak De’s music released it got just one star and the music wasn’t appreciated at all. All that Shimit wanted was to create a sports anthem, that’s what we did and I think we achieved after the song’s nationwide appeal. We always do music that is true to the film and what the screenplay requires. Rab Ne doesn’t sound stylish or cool but that’s how the film is. Shah Rukh’s character is not cool at all. The characters are very simple and the music had to be a reflection of that — couldn’t have electronica suddenly sweeping through the film. Rab Ne is not my personal album so I can’t do what a Rabbi or Lucky Ali does. Yes, our music has its own character but we travel different styles because the movie could be a drama, about a small town or a love story. Versatility is very important when it comes to music directors. We never consider a director’s point of view as restriction.
How was it different composing for an animation film like Roadside Romeo?
The only thing different was I had to think dogs instead of humans. Had to make sure how certain words and phrases sound when dogs sing them! The music could be danced to, was urban and with a lot of children’s voices. We knew it was going to be an urban film and not for the small town. It’s unfortunate that Roadside Romeo did not do too well and music these days does well if the film does well.
What other films are you working on and what are the new sounds in vogue?
Fashion was a pretty good urban experience. We are currently working on Teen Patti, which will have a medley of contemporary sounds with a full-on rock song, a hard-core electronica dance number and an old-fashioned cabaret. We’re also working on Karan Johar’s new film directed by Rensil D’Silva starring Saif Ali Khan that will release by the middle of next year. This one will have a sufi kind of sound. Sufi is very inspiring, spiritual and lends high energy to a song. Then there are three four releases coming up including Aashayein, and lots more in the pipeline.
So is background scoring taking a backseat now?
No…not at all! We did the background for Dostana, our last release. It does come in the way when we’re busy designing the entire music for a film but we never want to give it up. Background scoring is our real strength, our forte and very magical for us. People really respect us for that because apart from the story background music too can make or break a film. People in the industry are gradually coming to understand that but still don’t get it completely.
How would you rank the present crop of music makers?
That’s a tough one but I would like to think of A.R. Rahman first. He’s been at it for a long time and is very successful too. There’s a certain peace and thump in his songs. Then there’s Shankar Ehsaan & Loy who have been very consistent with melody. The strength of a composer is not just making people dance but also making them cry. It could just be a simple love song with a good vibe. There has to be a feel-good factor. Not sure if Vishal-Shekhar have done that. Both Vishal-Shekhar and Pritam are very good with dance songs and club numbers but a music-maker should make both chart-topping hits and soulful numbers that aren’t like fast food you eat, enjoy and forget. We’re working hard at it and probably getting closer.
What else is in the offing?
We have a bigger picture in mind. It’s still under wraps but we’re working on starting a music school. Students will learn western classical instruments like strings and bass and voice training. We’re trying to organise a tie-up with an international school of music. Hopefully it’ll take off by 2009 and be functional by 2010.
Do you like the songs and music of Rab Ne Bana Di Jodi? Tell us.
Watch The Video :
To watch the making of Dance Pe Chance track, visit the following link
[Making video watch at online]
Download Making of Dance Pe Chance song :
To download the exclusive making of Dance Pe Chance song in which interviews of Shahrukh Khan is also present, at free of cost, click any of the link given below
[Making of Dance Pe Chance download]
Or
[Free download of Dance Pe Chance making]
Video file size : 29.1 MB
Video length : 06:33 min.
Video resolution : 320X240
Video quality : Good
To watch the making of Dance Pe Chance track, visit the following link
[Making video watch at online]
Download Making of Dance Pe Chance song :
To download the exclusive making of Dance Pe Chance song in which interviews of Shahrukh Khan is also present, at free of cost, click any of the link given below
[Making of Dance Pe Chance download]
Or
[Free download of Dance Pe Chance making]
Video file size : 29.1 MB
Video length : 06:33 min.
Video resolution : 320X240
Video quality : Good
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